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Thursday
February 12, 2004. San Francisco's new mayor made history by ordering
the city officials to issue marriage licenses to all couples. Hearing
about it in the news, that night I asked Greg if he'd like to go
try to get married. Not wanting to marry on Friday the 13th, we got
up early Saturday morning (Valentine's day) and
got in line about 8:30 am.
I was surprised to see that there were already 94 couples ahead of us!
The doors were still locked, and didn't open until 10 am.
We
were at the end of this line waiting almost 1 1/2 hours for the doors
to open. Meanwhile the line continued to grow. People driving by would
honk and yell hoots of approval. I saw one car painted up with a "just
married" sign
parked nearby. I got butterflies
in my stomach and wasn't sure if I was sick or what. Could I go through
with it? They cleared up after a little while.
About an hour later, we made it up to the front doors,
around 11 am, application forms in hand, already filled out with help
from some of the many gay volunteers helping to speed the process
up.
Another couple in line took this picture of us. Shortly
after, my friend Chip joined us to take the rest of these pictures and
be our ceremonial witness.
A slow trek through the metal detectors and more waiting in a long line
through the building to get to the registrars office to get the paperwork
in order. Then an elevator ride up to the ceremony area in the City Hall
rotunda where volunteers were marrying several couples at scattered locations.
It was a lovely location for a ceremony.
Our "official" pointed out that marriage is not
to be entered into lightly. But since we've been together almost 10 years,
it wasn't like I didn't know what I was getting into! In fact, we just
took our
regular wedding bands off and traded them back for the ceremony.
I think we had a Jewish lesbian performing our ceremony, since afterwards
she congratulated us with "Mazoltov!" (spelled different somehow).
The deed was done.
A pose for the camera, then back downstairs to the records department
to get a copy of our official document.
Finally, leaving City Hall, marriage certificate in hand, to the cheers
of some of those still
outside waiting in line, which by now had grown all the way around the
building to the back side, where you see us on the red carpet.
We hopped on my motorcycle parked right across the street and
headed home, even more legal and legit than ever before! --At least for
now, and as far as any of us knows. Maybe it'll even stick legally. We
might as well give it a shot. Tonight
on the news they said they've married almost 2000 couples so far, people
coming from all o ver too.
Hope you had a happy Valentine's day. We did.
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| What I like best about square dancing is that it is a cooperative
activity.
Unlike most competitive sports and workplace activities where people are
pitted against each other to see who is better than the rest (sometimes even
in a mean-spirited sense) there is no such concept of winners and losers in
square dancing. Everyone works together in a few fleeting moments of
lighthearted fun and exercise which is actually a kind of performance art.
Like any art, it’s takes work and practice. Everyone makes mistakes,
and a
big part of square dancing involves accepting that fact, especially with
beginning dancers. You have to be able to laugh off the mistakes of others
as well as your own in the spirit of just having fun, and try again.
Dancers often help each other catch each other’s mistakes and recover from
them. This is a very supportive type of group activity that can make
everyone feel accepted and an equal part of things.
And yes, there are times when everyone actually manages a flawless
performance. Everybody wins! No one loses!
I started square dancing in a gay club with my partner of about 10 years
because it looked like something we could try together that would get us out
of the house a little. It’s good exercise with a bit of socializing
that
beats staying home watching TV. As an activity within a gay club it
provides a little bit of community connection, and a sense of belonging and
pride.
At first I didn’t like the traditional use of gender terms in the square
dance calls within a gay square dance context, such as “ladies in, the
men
sashay” or “boy run around a girl”. That's because in
a gay group both
sexes (as well as transgender folks) dance either role they like, and even
switch roles during the evening. But I got over it. Not that important.
What I did like a lot was some unique styling that gay groups across the
country have developed that add a special touch of gay flair to a few square
dance calls. In particular, there is a gay version of dosido that looks
very elegant. And the gay version of “weave the ring” adds
extra excitement
to a dance hall.
When I designed my stained glass window I tried to include a number of
elements that make gay square dancing special to me. The first of course,
is the music, which appears as a musical staff as sort of a rainbow for my
partner and me to dance on. We're posed there in the middle of the
gay
version of “weave the ring”. I added the upper left figures
doing the gay
style of dosido. Finally, to balance the composition I wanted something
to
suggest a little of the feeling of being part of a group of dancers. So
I
added four dancers in a line, a very common square dance figure, to the
lower right. I feel like I captured most of the elements of square dancing
that appeal most to me in this design. It was a great experience learning
from Dan Smith how to turn my design into reality.
Remember, in square dancing everybody wins! |